When it comes to apparitions, spectres and ghosts, the only thing that is predictable is their unpredictability.
While creepy castles and gothic mansions make for suitably moody sets for Hollywood fiction, the truth is that paranormal encounters can happen almost anyplace and anytime. Sometimes it may be a one-time singular occurrence; at other times a ghost may make its presence known almost daily, like clockwork. Similarly, almost any place can be host to a haunting. Obviously, old buildings that have a long and dolorous history are likely candidates, but even a brand new home can be the site of a paranormal event or haunting.
Such was the case one Yuletide in the village of Monkton Heathfield, located outside the town of Taunton in Somerset, England. In was close to Christmas, 1923, when a certain Mr. Gardiner, a construction contractor was bedeviled by a series of unexplained incidents in his brand new home. Monkton is a small but venerable village, named after the monks of Glastonbury Abbey, whose estates the village once resided in.
The trouble began about a week before Christmas, when Gardiner heard a strange noise, quickly followed by a blow to the back of the head. The object which struck him was an orange, which moments before had been in a bowl on a nearby dresser. No one else was present to blame the assault on the contractor, which was peculiar, since oranges don’t have legs to move about with.
Soon other inanimate objects also started to become quite animated. A chair suddenly jumped from the floor onto a table. A watch-box sitting on a table in the kitchen rose into the air and came crashing down with a thud. Then a pair of boots emerged backwards from the cupboard where they were stored and several books flew from the bookshelf where they were lodged and flew across the room. Nor was mid-day supper exempt from such happenings; while seated for the repast Father and son saw their knives move from one end of the table to the other and the pepperbox did the cake-walk in front of them. The climax to these uncanny events occurred when, in front of a room full of witnesses, a lamp arose from the table and gracefully glide onto the kitchen floor.
The frequency and oddity of happenings inside the Gardener household became such that Mr. Gardener and his son were forced to move out of their household just before Christmas. Whatever spirit or entity was active in the new house was left in possession of the home for the holidays. Whether the Gardeners ever were able to reclaim their domicile from the unnamed poltergeist is not recorded.
The venerable village of Calverley sits midway between Leeds and Bradford in England, a quaint and thoroughly unremarkable community, whose main claim to lesser fame is Calverley Hall. The village also boasts an ancient church with adjacent burial ground, graced with equally old yew trees, whose branches cast strange shadows on moonlit nights, and with a forsaken looking wood visible nearby and the Yorkshire Moors not far beyond.
Calverly Hall was at one time the residence of Sir Hugh Calverley, a gentleman of some distinction during the reign of good King James until, that is, his wife and two children were found most horribly murdered. The motive for the murders has long been lost to history; but suspicion of the crime immediately fell on Sir Hugh and he was taken to York, there to extract a confession from him.
Sir Hugh was locked up in York Castle and there the inquisitor sought to force him to admit his crime by pressing him. This manner of interrogation involved putting a board on one’s chest and then applying ever heavier stones on top, until the pain forced an admission of guilt. Sir Hugh never admitted to the crime. Instead he died under interrogation from the pressing.
Over the years since his execution, tales of sighting his ghost had come down to the folk of Calverley, but none had themselves seen his shade about the village in recent times. All thought the spectre of Sir Hugh was long put to rest. Until, that is, one night just before Christmas in 1904.
One Sunday night a man from the town of Horsforth was passing by the Calverley churchyard when he heard weird sounds coming from the direction of the church’s graveyard. Suddenly there was a flash of bright light, soon followed by a floating apparition, almost like a mist but having the distinct form of a man. It floated past the man and did him no harm; yet its mere sight was terrifying to behold. The man was on foot and had nowhere to run and stood frozen with shock. Then, as soon as it had begun, the apparition disappeared.
The next day the Horsforth man related his experience to a friend, who knew something of the lore of Calverley. It was only then that the man learned the tale of the ghost of Sir Hugh Calverley, whose shade could find no peace for the guilt of the crime laid on him.
Was Sir Hugh wandering with the load of his sins keeping him earthbound? Or was he innocent of the horrible crime and seeking some living soul to exonerate him after all those centuries? We may never know. Should you encounter his restless shade on some Yuletide night, perhaps you might inquire of his restless shade–if you dare.
As all no doubt are aware, telling ghost stories at Yuletide is an ancient tradition which we have inherited from England. The fact is that ghosts seem oft to make their presence felt at Christmas.
Some say it is because our thoughts harken back to loved ones no longer with us; others aver that it is because the holiday coincides with the Winter Solstice, the longest night of the year when the worlds of the living and the dead are closest. Or perhaps it is simply because, like old Uncle Scrooge, we all have had too much mince meat and hot toddies and our senses play tricks on us.
Regardless, ghosts do seem to cluster close around the season—perhaps even more so than at Halloween.
For example the Queen’s residence at Sandringham House in Norfolk, England, has long known to experience poltergeist activity that begins activity from Christmas Eve, as well as other fey encounters. The estate has been occupied since the Elizabethan era, but it was in 1771 that architect Cornish Henley cleared the site to build Sandringham Hall. The hall was modified during the 19th century by Charles Spencer Cowper, a stepson of Lord Palmerston, who added an elaborate porch and conservatory. Today it is the private domain of Queen Elizabeth II and not considered public Crown property, as many royal residences are.
The spectral activity at Sandringham House manifests strongly in the servants quarters and the unseen spirits would seem to have a particular dislike for Christmas cards. The cards are frequently scattered, thrown and generally moved around. In addition, blankets are pulled off of beds and something very creepy breathes down the necks of the maids who serve the royal family.
There are old parts of the mansion, little used, that nobody wishes to go alone in. According to one account, Prince Charles and his valet once went exploring in an old wing of the palatial building in search of old prints. They suddenly both felt very cold and had the feeling that somebody—or something—was following them. Neither saw anything, but the experience was quite unnerving.
The library of the House is regarded as one of the most haunted rooms of the rambling manse. A napping servant was once awakened to the sight of books flying off the shelves. The hands on an old clock in the room often move by themselves as well.
The chamber maids believe that the most frightening spot in the house is the Sergeant Footman’s corridor on the second floor. They are so terrified of this part of the palace that they only clean that area of Sandringham in pairs or groups. According to reports, light switches are turned on and off, footsteps are heard walking down the corridor, and doors are heard opening and closing. They also report hearing a terrifying noise like a wheezing sound that, “resembles a huge, grotesque lung breathing in and out.”
With as long a history as Sandringham House has had, it is believed a number of ghosts haunt the building at Christmas. Members of the royal family died there in the nineteenth century and more recently one of Queen Elizabeth’s loyal retainers, Tony Jarred, the Queen’s favorite steward, died there in the cellar in 1996. Rumor has it that the Queen herself has seen Jarred at Sandringham, although as usual with the Royal Family, no one will speak publicly about it. Nor is Jarred the only ghost Her Majesty has seen in her long life.
The haunting of Sandringham is reported to begin on Christmas Eve and endures for about six to seven weeks, after which the spirits seem to become dormant until the next Yuletide. This year should be especially interesting, since Kate Middleton will be spending her first Christmas at Sandringham House. Bonny Kate has been duly informed about the Christmas ghosts there and also been advised to not make any jokes about ghosts to the Queen, who apparently takes her royal hauntings quite seriously.
Of all the many haunted buildings in downtown Nashville, surely one of the most haunted is Tootsie’s Orchid Lounge! At 422 Broadway, it’s smoke-stained walls and beer-stained floors have seen the greats of Country Music pass through its swangin doors–not to mention a few Rock stars as well.
Behind the bar, its back door opens onto an ally which faces the old stage door to the Ryman Auditorium. In the old days, when the Grand Ole Opy’s home was the Ryman, the now legendary stars of County would toddle across the alley to Tootsie’s to pull back a few brews in between sets. Sometimes when in their cups they would get up on the stage of Tootsie’s and play for free, and by all accounts, their performance on the stage of Tootsie’s was far better than what you would see on the straight-laced stage of the Opry. In those days they wouldn’t even allow drums or brass on stage to back up the performers. Sometimes, the old Country greats had one too many a drink and never made it back to the Opry for a second set.
The old owner of the bar, Tootsie herself, was a tough old broad, but with a heart of gold and she was known to give perspiring musicians a handout and a hand when they needed one. She is long gone and so are the old legends of Country—but not their ghosts.
In the hustle and bustle of the crowded bar you might never notice when the odd ghost or two is also listening in to the show. But sometimes a cold draft of air will fill the air and a door open or close on its own. Perhaps it is Hank Williams Sr. trying to make it back to the stage of the old Opry; or one of a dozen other spectral singers whose shades still dwell there: hard to say. The alley out back has also been witness to apparitions, seen passing back and for between the Ryman and Tootsies.
Upstairs, where Willie Nelson once camped out, thanks to Tootsie’s good graces, other ghosts have sometimes been reported as well. All told, living or dead, the spirit of Country Music is very much in evidence at Tootsies.
Although recent transplants to Middle Tennessee are only dimly aware of it, the Cumberland Valley and its surrounds were much fought over during the Civil War. Although that is not the origin of the phrase, this section of the South amply earned its moniker The Dark and Bloody Ground during the Late Unpleasantness. Many an old house is home to a resident ghost or two who date back to the dark days of the war. The causes of their continued residence on the mortal plain may differ, but as often as not it is due to their violent or untimely death, being cut down in the prime of life, often with great pain and the awareness they will never to see their loved ones again. Sometimes that agony and anguish are all that remain.
Such, it seems, is the case with Carnton Mansion, the grand home sitting on the southeastern outskirts of Franklin, Tennessee. The very name of the manse is suggestive of death, for in ancient Celtic tradition, a cairn or carn was a place where a warrior would be buried who had died with honor in battle. During the Civil War, late one Autumn day, the mansion would earn its name, a reputation that endures to the present day.
After the fall of Atlanta, Sherman planned his next move; ignoring the still viable Confederate Army of Tennessee, he would conduct a scorched earth campaign across Georgia, destroying everything in his path. Basically, it was an act of terrorism, designed to cow the white civilian population of the South into submission and break their will to resist. The Rebel army, now under General John Bell Hood, at first fenced with Sherman, attacking his rear and threatening his long supply line heading back northward towards Nashville. Then, when Sherman began marching south, Hood began marching north; a bold move not only to draw Sherman’s army after him but also to seize the mass of supplies stockpiled in the strategic city of Nashville; from there he could threaten many other places further north. It was a bold strategy and whatever historians may say about General Hood, he never lacked for either courage or boldness: “all lion” is how one postwar writer characterized him.
A small Union army was deployed to slow Hood as he marched northwards, to give time for the Yankees to gather more troops to defend Nashville. General John Schofield, a classmate of Hood’s from West Point days, was placed in charge of this Yankee force and basically his task was to hold the lion’s tail without being devoured. At Columbia, then Springhill and finally at Franklin, Schofield’s men conducted a fighting retreat. While most historians portray the Autumn Campaign as a done deal and that a Southern defeat was inevitable, in truth it was a very near thing. Had circumstances just been a little different at any point; had orders been obeyed, had the Yankees marched or fought just a little less heroicly; had one Yankee brigadier not disobeyed orders, or some Rebel pickets not been quite so fatigued—at any point just a feather-weight of difference in the chain of circumstance–and we would be celebrating John Bell Hood as a brilliant commander and victor. But that was not to be.
Others have chronicled the Autumn Campaign in great length; we needn’t go into it here. Our concern is with the aftermath. On the afternoon and evening of November 30, 1864, the two armies clashed on the outskirts of Franklin, Tennessee. Both sides fought and bled and died with uncommon courage, and by the early hours of the following morning the blood-soaked fields of Franklin found the Confederates in possession of the terrain. It was a Pyrric victory, however, for Hood’s army was decimated in the process: five generals, twenty colonels and thousands dead or grievously wounded, incapable of combat—all to fight the Yankee rearguard.
Even before the battle was over, however, the wounded began to make their way to Carnton Mansion, on the eastern flank of the battlefield. All through the night and on into the next day, the wounded and dead were brought in a steady stream to the stately antebellum mansion. The owner of the home, Randall McGavock, had served in the Confederate army but accepted a parole to look after his family and was a non-combatant; of course that did not prevent him from opening his home to the wounded.
By the following day, the dead were being piled in Carnton’s yard like cordwood; the back porch held the bodies of no less than five generals, while the moans of the suffering could be heard everywhere. For the dead and dying at Carnton, the victory at Franklin did not seem so glorious.
In time, the McGavock’s home was cleaned of the awful carnage and the blood—where it would go away. In one room that had served as the operating room for surgeons, try as they might, they could not wash or bleach the blood from the floorboards; the stains always came back and cannot be erased. They linger there to this day. There were other things that linger about Carnton as well; some of a spectral nature.
Inside the mansion, several spirits have been detected by successive occupants of the mansion and more recently by visitors as well. On the second floor, for example, a presence some called “the general” could be felt and occasionally seen. In the graveyard, even to this day, visitors sometimes spot a man in Confederate garb. Other spectres have been observed elsewhere in the mansion or on the surrounding grounds. Many are the eyewitness accounts that recount encounters with the ghosts of Carnton. Some of these apparitions are well known; others just passing shades, as anonymous as many of the graves on the grounds.
Many speculate about the sightings reported at Carnton; a few doubt them, most do not. What is certain, however, is that for many of the men who fought and died at Franklin on November 30, the Battle of Franklin will never be over.
I have been informed by a respected Literary Agent that editors with major book publishers don’t wish to see anything from authors that is written from more than a single point of view or attempts to render a narrative in anything other than the third person “literary” past tense.
I am not sure how “literary” the simple past tense actually is, but I presume this current editorial fad is in deference to what the East Coast literati condescend to regard as the limited reading abilities of the average modern reader. One wonders how the works of such writers as Mark Twain, Ambrose Bierce, Herman Melville or Joseph Conrad would have fared at the hands of such editors—assuming these miserable hack writers would even have gotten an agent to handle their writing.
As a journeyman scrivener I must bow to their superior wisdom or remain unpublished. But in the expectation that your reading tastes are somewhat better than what modern editing trends assume, I present a tale of Southern ghosts by a master of sardonic horror—Ambrose Bierce.
Bierce is best known for his biting satire and his macabre Civil War Tales filled with deadly ironies. Yet Bierce also wrote quite a bit about the South, even though he is not considered a Southern author by any means. He survived four years of the “blood-stained period” tramping all about the South, including Nashville, and continuing on well after the war the shadow of death lingered on in his mind, spilling out onto the pages of his short stories. This is not a tale of the Civil War, but it does take place in Nashville, a city he knew quite well during the war. I think we may safely class it as a choice piece of Southern Gothic, even if it was written by a Yankee.
In honor of Bierce, Dixie and Halloween, therefore, I reprint this, one of Bierce’s best ghost stories. The story, The Moonlit Road, is a classic tale of Southern Gothic, so much so that it has even spawned a modern Atlanta-based website dedicated to Southern horror that was inspired by it. If you are a Bierce devotee, forgive me, for doubtless you have read it before; but it is worth re-reading nonetheless. I fear it would be rejected out of hand by most modern trade editors, for it relates the story from multiple points of view. But if Bierce’s narrative technique was good enough for filmmaker Akira Kurosawa, I trust you may find it equally edifying as well.
THE MOONLIT ROAD
STATEMENT OF JOEL HETMAN, JR.
I am the most unfortunate of men. Rich, respected, fairly well educated and of sound health–with many other advantages usually valued by those having them and coveted by those who have them not—I sometimes think that I should be less unhappy if they had been denied me, for then the contrast between my outer and my inner life would not be continually demanding a painful attention. In the stress of privation and the need of effort I might sometimes forget the somber secret ever baffling the conjecture that it compels.
I am the only child of Joel and Julia Hetman. The one was a well-to-do country gentleman, the other a beautiful and accomplished woman to whom he was passionately attached with what I now know to have been a jealous and exacting devotion. The family home was a few miles from Nashville, Tennessee, a large, irregularly built dwelling of no
particular order of architecture, a little way off the road, in a
park of trees and shrubbery.
At the time of which I write I was nineteen years old, a student at Yale. One day I received a telegram from my father of such urgency that in compliance with its unexplained demand I left at once for home. At the railway station in Nashville a distant relative awaited me to apprise me of the reason for my recall: my mother had been
barbarously murdered–why and by whom none could conjecture, but the circumstances were these:
My father had gone to Nashville, intending to return the next afternoon. Something prevented his accomplishing the business in hand, so he returned on the same night, arriving just before the dawn. In his testimony before the coroner he explained that having no latchkey and not caring to disturb the sleeping servants, he had, with no clearly defined intention, gone round to the rear of the house. As he turned an angle of the building, he heard a sound as of a door gently closed, and saw in the darkness, indistinctly, the figure of a man, which instantly disappeared among the trees of the lawn. A hasty pursuit and brief search of the grounds in the belief that the trespasser was some one secretly visiting a servant proving fruitless, he entered at the unlocked door and mounted the stairs to my mother’s chamber. Its door was open, and stepping into black darkness he fell headlong over some heavy object on the floor. I may spare myself the details; it was my poor mother, dead of strangulation by human hands!
Nothing had been taken from the house, the servants had heard no sound, and excepting those terrible finger-marks upon the dead woman’s throat–dear God! that I might forget them!–no trace of the assassin was ever found.
I gave up my studies and remained with my father, who, naturally, was greatly changed. Always of a sedate, taciturn disposition, he now fell into so deep a dejection that nothing could hold his attention, yet anything–a footfall, the sudden closing of a door–aroused in him a fitful interest; one might have called it an apprehension. At any small surprise of the senses he would start visibly and sometimes turn pale, then relapse into a melancholy apathy deeper than before. I suppose he was what is called a “nervous wreck.” As to me, I was younger then than now–there is much in that. Youth is Gilead, in
which is balm for every wound. Ah, that I might again dwell in that enchanted land! Unacquainted with grief, I knew not how to appraise my bereavement; I could not rightly estimate the strength of the stroke.
One night, a few months after the dreadful event, my father and I walked home from the city. The full moon was about three hours above the eastern horizon; the entire countryside had the solemn stillness of a summer night; our footfalls and the ceaseless song of the katydids were the only sound aloof. Black shadows of bordering trees lay athwart the road, which, in the short reaches between, gleamed a ghostly white. As we approached the gate to our dwelling, whose front was in shadow, and in which no light shone, my father suddenly stopped and clutched my arm, saying, hardly above his breath:
“God! God! what is that?”
“I hear nothing,” I replied.
“But see—see!” he said, pointing along the road, directly
I said: “Nothing is there. Come, father, let us go in—you are
He had released my arm and was standing rigid and motionless in the center of the illuminated roadway, staring like one bereft of sense. His face in the moonlight showed a pallor and fixity inexpressibly distressing. I pulled gently at his sleeve, but he had forgotten my existence. Presently he began to retire backward, step by step, never for an instant removing his eyes from what he saw, or thought he saw. I turned half round to follow, but stood irresolute. I do not recall any feeling of fear, unless a sudden chill was its physical manifestation. It seemed as if an icy wind had touched my face and enfolded my body from head to foot; I could feel the stir of it in my hair.
At that moment my attention was drawn to a light that suddenly streamed from an upper window of the house: one of the servants, awakened by what mysterious premonition of evil who can say, and in obedience to an impulse that she was never able to name, had lit a lamp. When I turned to look for my father he was gone, and in all the years that have passed no whisper of his fate has come across the borderland of conjecture from the realm of the unknown.
STATEMENT OF CASPAR GRATTAN
To-day I am said to live; to-morrow, here in this room, will lie a senseless shape of clay that all too long was I. If anyone lift the cloth from the face of that unpleasant thing it will be in gratification of a mere morbid curiosity. Some, doubtless, will go further and inquire, “Who was he?” In this writing I supply the only answer that I am able to make–Caspar Grattan. Surely, that should be enough. The name has served my small need for more than twenty years of a life of unknown length. True, I gave it to myself, but lacking another I had the right. In this world one must have a name; it prevents confusion, even when it does not establish identity. Some, though, are known by numbers, which also seem inadequate distinctions.
One day, for illustration, I was passing along a street of a city, far from here, when I met two men in uniform, one of whom, half pausing and looking curiously into my face, said to his companion, “That man looks like 767.” Something in the number seemed familiar and horrible. Moved by an uncontrollable impulse, I sprang into a side street and ran until I fell exhausted in a country lane.
I have never forgotten that number, and always it comes to memory attended by gibbering obscenity, peals of joyless laughter, the clang of iron doors. So I say a name, even if self-bestowed, is better than a number. In the register of the potter’s field I shall soon have both. What wealth!
Of him who shall find this paper I must beg a little consideration. It is not the history of my life; the knowledge to write that is denied me. This is only a record of broken and apparently unrelated memories, some of them as distinct and sequent as brilliant beads
upon a thread, others remote and strange, having the character of crimson dreams with interspaces blank and black–witch-fires glowing still and red in a great desolation.
Standing upon the shore of eternity, I turn for a last look landward over the course by which I came. There are twenty years of footprints fairly distinct, the impressions of bleeding feet. They lead through poverty and pain, devious and unsure, as of one
staggering beneath a burden—
“Remote, unfriended, melancholy, slow.”
Ah, the poet’s prophecy of Me–how admirable, how dreadfully
Backward beyond the beginning of this via dolorosa–this epic of suffering with episodes of sin–I see nothing clearly; it comes out of a cloud. I know that it spans only twenty years, yet I am an old man.
One does not remember one’s birth–one has to be told. But with me it was different; life came to me full-handed and dowered me with all my faculties and powers. Of a previous existence I know no more than others, for all have stammering intimations that may be memories and may be dreams. I know only that my first consciousness was of
maturity in body and mind–a consciousness accepted without surprise or conjecture. I merely found myself walking in a forest, half-clad, footsore, unutterably weary and hungry. Seeing a farmhouse, I approached and asked for food, which was given me by one who inquired my name. I did not know, yet knew that all had names. Greatly embarrassed, I retreated, and night coming on, lay down in the forest
The next day I entered a large town which I shall not name. Nor shall I recount further incidents of the life that is now to end—a life of wandering, always and everywhere haunted by an overmastering sense of crime in punishment of wrong and of terror in punishment of crime. Let me see if I can reduce it to narrative.
I seem once to have lived near a great city, a prosperous planter, married to a woman whom I loved and distrusted. We had, it sometimes seems, one child, a youth of brilliant parts and promise. He is at all times a vague figure, never clearly drawn, frequently altogether out of the picture.
One luckless evening it occurred to me to test my wife’s fidelity in a vulgar, commonplace way familiar to everyone who has acquaintance with the literature of fact and fiction. I went to the city, telling my wife that I should be absent until the following afternoon. But I returned before daybreak and went to the rear of the house, purposing
to enter by a door with which I had secretly so tampered that it would seem to lock, yet not actually fasten. As I approached it, I heard it gently open and close, and saw a man steal away into the darkness. With murder in my heart, I sprang after him, but he had
vanished without even the bad luck of identification. Sometimes now I cannot even persuade myself that it was a human being.
Crazed with jealousy and rage, blind and bestial with all the elemental passions of insulted manhood, I entered the house and sprang up the stairs to the door of my wife’s chamber. It was closed, but having tampered with its lock also, I easily entered and
despite the black darkness soon stood by the side of her bed. My groping hands told me that although disarranged it was unoccupied.
“She is below,” I thought, “and terrified by my entrance has evaded me in the darkness of the hall.”
With the purpose of seeking her I turned to leave the room, but took a wrong direction–the right one! My foot struck her, cowering in a corner of the room. Instantly my hands were at her throat, stifling a shriek, my knees were upon her struggling body; and there in the darkness, without a word of accusation or reproach, I strangled her
till she died!
There ends the dream. I have related it in the past tense, but the present would be the fitter form, for again and again the somber tragedy reenacts itself in my consciousness–over and over I lay the plan, I suffer the confirmation, I redress the wrong. Then all is blank; and afterward the rains beat against the grimy window-panes, or the snows fall upon my scant attire, the wheels rattle in the squalid streets where my life lies in poverty and mean employment. If there is ever sunshine I do not recall it; if there are birds they
do not sing.
There is another dream, another vision of the night. I stand among the shadows in a moonlit road. I am aware of another presence, but whose I cannot rightly determine. In the shadow of a great dwelling I catch the gleam of white garments; then the figure of a woman confronts me in the road–my murdered wife! There is death in the face; there are marks upon the throat. The eyes are fixed on mine with an infinite gravity which is not reproach, nor hate, nor menace, nor anything less terrible than recognition. Before this awful apparition I retreat in terror–a terror that is upon me as I write. I can no longer rightly shape the words. See! They—
Now I am calm, but truly there is no more to tell: the incident ends where it began–in darkness and in doubt.
Yes, I am again in control of myself: “the captain of my soul.” But that is not respite; it is another stage and phase of expiation. My penance, constant in degree, is mutable in kind: one of its variants is tranquillity. After all, it is only a life-sentence. “To Hell for life”–that is a foolish penalty: the culprit chooses the duration of his punishment. To-day my term expires.
To each and all, the peace that was not mine.
STATEMENT OF THE LATE JULIA HETMAN, THROUGH THE MEDIUM BAYROLLES
I had retired early and fallen almost immediately into a peaceful sleep, from which I awoke with that indefinable sense of peril which is, I think, a common experience in that other, earlier life. Of its unmeaning character, too, I was entirely persuaded, yet that did not banish it. My husband, Joel Hetman, was away from home; the servants slept in another part of the house. But these were familiar conditions; they had never before distressed me. Nevertheless, the strange terror grew so insupportable that conquering my reluctance to move I sat up and lit the lamp at my bedside. Contrary to my expectation this gave me no relief; the light seemed rather an added danger, for I reflected that it would shine out under the door, disclosing my presence to whatever evil thing might lurk outside. You that are still in the flesh, subject to horrors of the imagination, think what a monstrous fear that must be which seeks in darkness security from malevolent existences of the night. That is to spring to close quarters with an unseen enemy–the strategy of despair!
Extinguishing the lamp I pulled the bed-clothing about my head and lay trembling and silent, unable to shriek, forgetful to pray. In this pitiable state I must have lain for what you call hours–with us there are no hours, there is no time.
At last it came–a soft, irregular sound of footfalls on the stairs! They were slow, hesitant, uncertain, as of something that did not see its way; to my disordered reason all the more terrifying for that, as the approach of some blind and mindless malevolence to which is no appeal. I even thought that I must have left the hall lamp burning and the groping of this creature proved it a monster of the night. This was foolish and inconsistent with my previous dread of the light, but what would you have? Fear has no brains; it is an idiot. The dismal witness that it bears and the cowardly counsel that it whispers are unrelated. We know this well, we who have passed into the Realm of Terror, who skulk in eternal dusk among the scenes of our former lives, invisible even to ourselves and one another, yet hiding forlorn in lonely places; yearning for speech with our loved ones, yet dumb, and as fearful of them as they of us. Sometimes the disability is removed, the law suspended: by the deathless power of love or hate we break the spell—
we are seen by those whom we would warn, console, or punish. What form we seem to them to bear we know not; we know only that we terrify even those whom we most wish to comfort, and from whom we most crave tenderness and sympathy.
Forgive, I pray you, this inconsequent digression by what was once a woman. You who consult us in this imperfect way–you do not understand. You ask foolish questions about things unknown and things forbidden. Much that we know and could impart in our speech is meaningless in yours. We must communicate with you through a stammering intelligence in that small fraction of our language that you yourselves can speak. You think that we are of another world. No, we have knowledge of no world but yours, though for us it holds no sunlight, no warmth, no music, no laughter, no song of birds, nor any companionship. O God! what a thing it is to be a ghost, cowering and shivering in an altered world, a prey to apprehension and despair!
No, I did not die of fright: the Thing turned and went away. I heard it go down the stairs, hurriedly, I thought, as if itself in sudden fear. Then I rose to call for help. Hardly had my shaking hand found the doorknob when–merciful heaven!–I heard it returning.
Its footfalls as it remounted the stairs were rapid, heavy and loud; they shook the house. I fled to an angle of the wall and crouched upon the floor. I tried to pray. I tried to call the name of my dear husband. Then I heard the door thrown open. There was an interval of unconsciousness, and when I revived I felt a strangling clutch upon my throat–felt my arms feebly beating against something that bore me backward–felt my tongue thrusting itself from between my teeth! And then I passed into this life.
No, I have no knowledge of what it was. The sum of what we knew at death is the measure of what we know afterward of all that went before. Of this existence we know many things, but no new light falls upon any page of that; in memory is written all of it that we can read. Here are no heights of truth overlooking the confused landscape of that dubitable domain. We still dwell in the Valley of the Shadow, lurk in its desolate places, peering from brambles and thickets at its mad, malign inhabitants. How should we have new knowledge of that fading past?
What I am about to relate happened on a night. We know when it is night, for then you retire to your houses and we can venture from our places of concealment to move unafraid about our old homes, to look in at the windows, even to enter and gaze upon your faces as you sleep. I had lingered long near the dwelling where I had been so cruelly changed to what I am, as we do while any that we love or hate remain. Vainly I had sought some method of manifestation, some way to make my continued existence and my great love and poignant pity understood by my husband and son. Always if they slept they would wake, or if in my desperation I dared approach them when they were awake, would turn toward me the terrible eyes of the living, frightening me by the glances that I sought from the purpose that I held.
On this night I had searched for them without success, fearing to find them; they were nowhere in the house, nor about the moonlit lawn. For, although the sun is lost to us forever, the moon, full-orbed or slender, remains to us. Sometimes it shines by night, sometimes by day, but always it rises and sets, as in that other life.
I left the lawn and moved in the white light and silence along the road, aimless and sorrowing. Suddenly I heard the voice of my poor husband in exclamations of astonishment, with that of my son in reassurance and dissuasion; and there by the shadow of a group of trees they stood–near, so near! Their faces were toward me, the eyes of the elder man fixed upon mine. He saw me–at last, at last, he saw me! In the consciousness of that, my terror fled as a cruel dream. The death-spell was broken: Love had conquered Law! Mad with exultation I shouted–I MUST have shouted, “He sees, he sees: he will understand!” Then, controlling myself, I moved forward, smiling and consciously beautiful, to offer myself to his arms, to comfort him with endearments, and, with my son’s hand in mine, to speak words that should restore the broken bonds between the living and the dead.
Alas! alas! his face went white with fear, his eyes were as those of a hunted animal. He backed away from me, as I advanced, and at last turned and fled into the wood–whither, it is not given to me to know.
To my poor boy, left doubly desolate, I have never been able to impart a sense of my presence. Soon he, too, must pass to this Life Invisible and be lost to me forever.
In the pages of Strange Tales of the Dark and Bloody Ground, I have previously chronicled some high strangeness originating from the area near Cleveland, Tennessee, as well as a rather scary apparition from East Tennessee referred to as The Lady in Black. In Ghosts and Haunts of Tennessee, I delved even more deeply into the supernatural stirrings of the Mid-South. Even with the ghost stories and mysteries which I did not chronicle in those books, I had assumed I had researched just about every paranormal phenomenon and tale there was to known about this region; my file cabinets are bulging with accounts and my computer files contain even more. Well, I was wrong, for until just recently, I had never heard of Bradley County’s favorite apparition, Tall Betsy.
While most folks outside of Cleveland have never heard about Tall Betsy, anyone who grew up in or around the East Tennessee city can give you an earful about this unusual hobgoblin. An online search of the usual ghost-hunter websites and directories will generally give you a blank; but that is not to say she is not real–or as real as any immaterial being can be.
I stumbled across Tall Betsy through one of my son’s friends who grew up in Cleveland. My son Bubba knows just about everyone in Sumner County and his friend, who now hails from here, spent most of his boyhood in Bradley County. So, knowing my interest in all things weird and wonderful relating to the South, Bubba’s friend regaled me with what he knew of Tall Betsy. The game afoot, I dug deeper and came up with more on this mysterious apparition and what passes for the facts about her—admittedly not much.
Unlike TV ghost hunters, who go armed with all sorts of high tech gear and flashlights glued to their faces and generally end up scaring themselves, I resort to low tech methods to research ghost stories: word of mouth, hearsay, old newspaper clippings, an occasional eyewitness and the like. No, it’s not scientific–but then neither are those TV “experts” who charge a large hunk of chump change for their expertise these days.
In her present incarnation, Tall Betsy dates back to 1980, when a local Cleveland Tennessee businessman and entrepreneur, Allan Jones, decided to get up on stilts, don a long black gown and a witches’ fright mask and hand out candy to neighborhood kids. At first his fright costume worked too well; the local children avoided his home on Halloween like the plague. Bit by bit, however, the kids got used to the spooky seven and half foot crone and the appearance of Tall Betsy became an annual tradition until it grew into a day long block party with thousands attending. In recent years the celebration has also included TV celebrities and rock stars such as Little Richard.
Whether the block party got a little too big or whether Squire Jones simply got weary of standing on stilts all day, Tall Betsy disappeared from the Cleveland celebration for several years. By all accounts she is back on the scene, handing out candy as before and a documentary has even been made about her legend. So Cleveland, Tennessee is definitely a fun place to be on Halloween.
Although Allan Jones can certainly be credited with reviving the tradition regarding Tall Betsy, contrary to what professional debunkers may claim, he by no means originated the legend.
Jones actually learned the story of Tall Betsy from his mother, Giney Jones, who in turn had heard it as a girl from her mother, Marie Slaughter. So the tale of Tall Betsy, also known as Black Betsy or simply The Lady in Black, goes back to at least the 1920’s and 30’s and the story seems to be a genuine local tradition.
In her original incarnation, Tall Betsy was a real apparition—or at least “told as true”—who was of uncommon height (seven and half feet tall) who had a persimmon tree for a cane and who wandered the streets of Cleveland late at night. Her grave is located in Fort Hill Cemetery, where she seems to have originally been seen and all sorts of dark tales were told about her to young children. She was alleged to kidnap children out too late on Halloween and carry them off to her mausoleum, where she would cook and eat them and gnaw on their bones.
At this point in time it’s impossible to say how the story of Tall Betsy originated. Whether there was indeed a cemetery ghost who was a Lady in Black (Kingston, Tennessee has one too) which was sighted on dark and gloomy nights, or whether she was just some eccentric old crone of uncommon height whose nocturnal wanderings became the subject of unkind gossip, is not known. Tall Betsy defies easy explanations; but as far as the folk of Cleveland, Tennessee are concerned, she is a reality—at least once a year.
The Great West Tennessee Haunt Hunt: Bolivar, Tennessee
Between Memphis and Jackson, Tennessee, lies the scenic West Tennessee city of Bolivar. To the casual visitor it is a placid and serene city, filled with friendly folk where nothing untoward ever occurs.
Beneath the idyllic surface of Bolivar, however, flows an undertow of supernatural strangeness. While Bolivar may not be a big bustling metropolis like Memphis, Knoxville or Nashville, where it excels those towns is in the density and intensity of paranormal phenomena there per haunted hectare.
Perhaps the most famous and most beloved apparition in Bolivar must certainly be “Uncle Dave.” In life, Uncle Cave Parran was a daily sight at his place of business in the quaint town square.
But where Uncle Dave was most seen was on the front porch of his home, Wren’s Nest, rocking back and forth on his old rocking chair. He would wave and say hello and engage in conversation all who passed by. Everyone in Bolivar knew and loved Uncle Dave till the day he died at age 86.
Then something strange happened; Uncle Dave refused to leave Wren’s Nest even in death. Some folk have even claimed to see him on the front porch; mostly, though, the rocking chair just rocks back and forth on its own, as if some invisible soul still occupies it.
Not far from Wren’s Nest sits the majestic McNeal Place. Though both are haunted, both buildings and hauntings are like night and day. Uncle Dave’s home is a comfy homespun old home; McNeal Place is more like a Renaissance Villa. While Uncle Dave is about as congenial a haunt as one could wish for, the restless spirit of McNeal Place is doleful and sad and often visits the graveyard where her young daughter was lain to rest. Griefs know no boundary—not even the boundary of death.
But some who know more about the spirits of McNeal Place than I would argue that the old manse is not a morbid place but one filled with “glamor, hardship, romance and secrets.” At least some of the ghosts that reside there are not sad: one person who knows the place well avers that “Miss Polk is a funny little monkey of a spirit. She can and will scare the soles off your shoes. I was just one who “got ” her. I was a bit shocked at first encounter, then I just smiled and I felt her wink back.” Several spirits are reported to “run amuck” inside; but then it’s their residence–not ours!
Less accessible than these haunts are the ghosts which inhabit Western Mental Health Institute. While these days large prison-like insane asylums are ill favored, in its heyday WMHI was jam packed, not only with the legitimately insane, but with persons whom today we would call rebellious, lascivious or unconventional.
Lobotomies, shock therapy, chaining and medieval like torture were the rule of the day. Old asylums were a literal chamber of horrors. Many people died from such treatment and some of their spirits abide in WMHI and other old institutions.
Today mental health is more enlightened and Western has far fewer inmates than once it held. Present and former staff and patients alike testify to the ghosts who actively haunt its grounds, but wannabe ghost-busters are advised not to investigate on their own. The old hospital itself is closed to the public and while the local ghosts may not bother you, the local constabulary most certainly will.
If you wish to get up close and personal with the dearly departed, you would be well advised to spend a weekend at Magnolia Manor. An elegant antebellum home converted to a comfortable bed and breakfast it has beautiful antiques in each room—and a gaggle of ghosts to go along with them.
During the Civil War, Generals Grant and Sherman stayed at Magnolia Manor there are many tales to be told of the Yankee occupation. In the years since the Late Unpleasantness, a host of ghosts have accumulated within its walls and on the surrounding grounds.
Contrary to the pseudo-spooky hooey you see on TV these days, there is little to fear from the ghosts which haunt most houses and certainly those at Magnolia Manor are no different. Consider it from the ghost’s perspective: they are the permanent residents—you are the intruder. But they are hospitable haints and if you don’t bother them–or go shouting at them like some damn fools on television like to do–then they probably will not unduly disturb you!
Loretta Lynn, widely hailed as the Queen of Country Music and with a long career of successful hit songs, is living legend among fans of Country Music and was even the subject of a successful Hollywood movie. As famous as she is, however, few are aware of another talent of Ms Lynn’s: the Coal Miner’s Daughter is psychic and her long-time home in Hurricane Mills is most seriously haunted.
Loretta has never denied her psychic encounters, which date back to her early years. In one case, Loretta had a nightmare one night that her father was dead and woke up screaming. Although her husband tried to reassure her, Loretta could not shake the premonition that her father had died. Not long after she received a phone call telling her that her father had died of a massive stroke. Some years later she returned to Kentucky to visit her childhood home in Butcher Hollow, to the cabin that she grew up in, only to see the ghost of her father sitting on the front porch.
When she and her husband Doolittle finally bought Hurricane Mills and moved in, it was not long before she began to have experiences that led her to believe her mansion was haunted. Doors opened and closed all on their own; Loretta would hear footsteps outside on the porch but when she checked to see who was there, not a living soul could be seen.
Loretta’s twins, Peggy and Patsy, also had uncanny encounters. When they were very young, too young to be afraid of ghosts or know that such things could not be, would tell their mom of the “people in our room” that would visit them at night. One such spirit was a woman dressed in Victorian dress with her hair “piled high on her head”–Gibson Girl style.
In addition, the sounds of slaves rattling chains in the “slave pit” and the ghosts of Civil War soldiers have also been seen and heard in and around the house. While the house was dear to Loretta and her family, their experiences with the supernatural made Loretta not want to spend the night alone in the house and when her husband and children were out, she would have a friend stay with her.
Over the years Loretta has had séances held in the house to determine who exactly was haunting the home. On at least one occasion, the séance has produced physical reactions, with furniture moving and levitating in plain sight. More recently, Loretta Lynn called in gamed ghost buster James Van Praagh to help her “cleanse” the house. However, when the famed “ghost whisperer” heard a voice tell him to “get out!” Van Praagh chose the better part of wisdom and quickly departed the presence of the dearly departed.
Loretta Lynn’s beautiful mansion and dude ranch remain a popular destination for traveling tourists and Country Music fans, the little community of Hurricane Mills remains a very spooky Dixie haunt.
While ghosts are to encountered just about anywhere one can imagine, some places seem particularly congenial to spectral visitation. Theaters seem to be particularly prone to paranormal activity, nor are operas the only phantom plagued places they stay. Theater people have long been aware of that fact. That is why, after a play or musical, when the work crew comes out to clean up, they place a large upright pole with a bare bulb in it in the middle of the stage. It is called a “ghost light” and it is not there for illumination, but to drive away the ghosts that come out when the audience leaves.
To look at the Bijou, located on Gay Street in downtown Knoxville, you would not know how old the building is, nor guess how much history it has seen. Its origin goes back to 1817, beginning it existence as the Lamar House, a trendy upscale hotel of the early nineteenth century. In the 1850’s it was expanded and was known for awhile as “Coleman House” (no relation) and during the Civil War the Yankees commandeered the hotel and turned it into a hospital, where among the many who died were Union general William P. Sanders. After the war it again was a hotspot for the rich and posh.
It was in 1909 that a theater was added to the old building and for many decades it held both live performances and movies, and many famous performers played there. After World War II, however, it began a gradual decline, eventually the theater began showing porno movies, while the hotel section turned into a fleabag flophouse. In recent years, however, the Bijou has been restored and now is a venerated performance venue again. One thing that remains unchanged, however, is its reputation as a most haunted theater.
In the old hotel section of the building, more than one person has seen the ghost of General Sanders haunting the room where he died. After many years of reports by backstage crews and other employees, several the ghost hunting groups have tread its boards including the East Tennessee Paranormal Society, which conducted several investigation onsite and turned up some interesting results, including inexplicable recordings and some rather strange photographic evidence. Investigators have also witnessed uncanny shadows not caused by any known light source, which they also took to be evidence of spectral activity.
Besides the General, what seem to be the spirits of former performers also haunt the Bijou, as well as the ghosts of a few shady ladies who may have met an unseemly end at the hands of their customers. For details about the Bijou and its gaggle of ghosts, see Chapter 8 of Ghosts and Haunts of Tennessee. Of course, the Bijou is open for live performances as well as for special events, so if you go, you too may encounter one of the ghosts, but if you do don’t blame me—you were warned.