Like Green Hills and Berry Hill, Forest Hills is one of the storied Seven Hills of Nashville, a cluster of old neighborhoods south of downtown where the past lingers along with the ghosts of yesteryear.
In Ghosts and Haunts of Tennessee, I chronicled the ghosts of a certain part of Nashville, and in this journal I updated that chapter with supplemental information about the Hauntings of the Seven Hills. Overlooked in those articles was the venerable Longview Mansion, which has sat majestically on the corner of Caldwell Lane and Franklin Pike, since the 1850’s.
When it was originally built, it was not such a grand affair as one sees today. It began as a cozy four room, one story cottage, constructed by Henry Norvell and his bride Laura Sevier, the grand-daughter of the colorful frontier leader and first Governor of Tennessee, John Sevier. Today this modest manse boasts twenty-two rooms, eleven fireplaces, fourteen crystal chandeliers, and luxurious glass solarium.
It survived the Civil War more or less intact and in 1878 was purchased by James Caldwell, then president of the up and coming Cumberland Telephone and Telegraph Company. It remained in the Caldwell family through much of the twentieth century, undergoing several expansions and architectural redesigns. After a further change of owners it was ultimately purchased by the Church of Christ and is now owned by David Lipscomb University to serve as a special event center and administrator’s residence, while the LU soccer team uses the grounds for practice.
Having been in one family’s hands for so long and now owned by a decidedly Christian institution, not a lot of details abound about the alleged ghosts that haunt the house and grounds. In any case, genuine ghosts do not pop up on command for camera crews, much less for yahoos who go around in the dark with flashlights aimed at their faces scaring themselves.
It is thought that the origin of at least some of the alleged hauntings can be traced to the Civil War period. The house, on an eminence overlooking Franklin Pike, was in the thick of the Battle of Nashville on the second day (December 16, 1864) and the area about the mansion saw a great deal of bloody fighting.
Around the beginning of the twentieth century, a cannonball was found in the garden, a testament to the estate’s involvement in the battle. One of the family was moved to compose a poem about that memento of the war.
Whether there are any soldier’s graves remaining on the grounds is unknown, but not unlikely, given its location. After the battle, many Confederate dead were hastily dumped into mass graves on unhallowed ground, their names and the locations of their graves long forgotten. Their spirits are thus doomed to haunt the battleground to this day. The Seven Hills, the heart of the battleground, is awash in ghosts dating to the Civil War battle.
Second hand accounts of uncanny events in the house have circulated for years, although the Caldwell family have never spoken directly about such encounters. Given their long residence there, some of the resident spirits may well be family members. The mansion is so opulent and attractive, one could well understand why one might be reluctant to leave it, even for greener pastures.
One incident that has been given credence by those who know, happened a few decades back before the University took ownership of Longview.
The lady of the house at the time was playing the grand piano, just off the main entrance to the house, one day. It was a tune which she was fond of but which apparently did not meet with one of the resident spirit’s approval. As she was in the midst of the tune, a nearby lamp was knocked over by an invisible hand, falling to the floor with a crash.
The lady of the house, aware of her permanent guest’s mercurial temperament and preferring not to upset the resident spirit, never played that song again.
As with the ghosts that inhabit nearby Belmont Mansion and University, the ghosts of yesteryear choose to linger beneath the enchanted eaves of Longview to moving on to another plane.
It was in Strange Tales of the Dark and Bloody Ground, where I published the first modern account of Andrew Jackson’s hauntings. It recounts the encounter by two founders of the Ladies Hermitage Association with the ghost of Andrew Jackson.
In the 1890’s, Old Hickory’s home, the Hermitage, had been in sad condition: the stately manse was in a shabby state, its white columns turned to gray, the grounds gone to seed and overgrown with weeds, with only Jackson’s devoted servant, Uncle Alfred, blind and alone, still residing out back in an old log cabin. The two ladies camped inside the run-down mansion as the first step towards the Association beginning the hard task of restoration, only to find out that, though buried in the garden behind the house, Old Hickory’s spirit still resided within.
Since then, generations of volunteers and full-time staff have restored the venerable estate into the jewel you will see today if you visit it, and I am told the ghost of Jackson still occasionally makes his presence known.
Since my first report on his ghost, others have retold the story of Old Hickory haunting the Hermitage many times and camera crews occasionally visit to sneak a peak, if they can, of his shade. But if you prefer the original account to a rehash, by all means read it in Strange Tales, which also includes Old Hickory’s mostly true encounter with the dread Bell Witch.
Less known than this haunt of Old Hickory’s is the fact that Andrew Jackson’s ornery shade also frequents the hallowed halls of the White House, in Washington D.C., although some say his spirit also makes an occasional visit at another White House—the old stagecoach stand in White House, Tennessee.
Old Hickory’s haunting of Big White is less recognized, one may surmise, because the White House is one of those places awash in hauntings by former residents. For example, I relate Lincoln’s apparition appearing there in a chapter of The Paranormal Presidencyof Abraham Lincoln. And with so many spooks bedeviling staff and visitors, one may be forgiven if Andrew Jackson’s spectral visitations there from time to time get lost in the shuffle.
Although nowadays Jackson is out of favor with the politically correct crowd, he remains one of our greatest presidents in history. After all, how many leaders have a whole age named after them, not to mention a political revolution? Still, even in his own day, Old Hickory was a man who incurred not only deep affection but also intense hatred among people.
His treatment of Native Americans—even those tribes who had allied with him during the War of 1812—was particularly egregious. At the time he claimed it was to protect them from the depredations of whites. His regard for minority rights was less than righteous, which in turn reminds one of an old definition of democracy as “five wolves and a sheep deciding what to have for dinner.”
But Jackson also ushered in an era of greater Democracy in America. Among his greatest reforms was to break the power of the bankers, whose greed and graft was having undue influence over the nation’s politics and threatened to replace the growing movement towards Democracy with an oligarchy of the rich and powerful. Would that we had another Jackson to do that today.
Moreover, when an attempt was made to weaken and divide the Nation, Old Hickory acted decisively to prevent Sectionalism from threatening the Union. During the Nullification Crisis, Old Hickory is alleged to have said, “John Calhoun, if you secede from my nation I will secede your head from the rest of your body.” Unfortunately, that was an empty threat. His eight years in the White House were tumultuous and there was bad mixed in with the good he did, but after his term, the Nation would never be the same again.
A man with that strong a spirit and that iron a will cannot help but leave his mark, and that is perhaps why Old Hickory’s shade still lingers within the walls of the White House.
It’s hard to say exactly when anyone first noticed his presence in the White House. We know that during the Civil War Abraham Lincoln hung a portrait of Andrew Jackson in the Oval Office, for though Jackson had been of a different party, like Lincoln, Jackson was a staunch defender of the Union and a great Nationalist. Perhaps Old Hickory’s adamantine spirit was invisibly guiding the rail-splitter from Kentucky through the war to preserve the Union.
It has been reported that Mary Todd Lincoln, who attended a number of seances during the war (many with her husband), claimed that she could hear the ghost of Andrew Jackson “cussing” in the Rose Room and stomping around the canopied bed there. What was the cause of Old Hickory’s cussing, Mary was never able to divine, but her description of the ghost’s behavior certainly fit what we know about Jackson’s temperament.
The next documented encounter with Andrew Jackson’s ghost in the White House was by Harry Truman in the 1940’s. He had only been President for two months, when in June 1945, he wrote to his wife about experiencing a number of paranormal encounters: “I sit here in this old house and work on foreign affairs, read reports, and work on speeches–all the while listening to the ghosts walk up and down the hallway and even right in here in the study. The floors pop and the drapes move back and forth.” Truman theorized “old Andy and Teddy” were having an argument over “Franklin.”
A few years later, longtime White House seamstress, Lillian Rogers Park, had a frightening encounter in the Rose Room: “I remember when I was working at the bed in the Rose Room…as I hemmed a bedspread, I suddenly felt that someone was looking at me. I felt something coldish behind me . . . I didn’t finish the spread until three years later.”
During the 1940’s, a White House maid, Katurah Brooks, also encountered Old Hickory’s spirit. Katurah was busy one day doing chores, when she heard laughter in the Rose Room. She stated the sound had a “hollow” or “otherworldly” quality. She too was more than a little spooked.
The most recent report of Andrew Jackson’s ghost haunting the White House is in 1964. Liz Carpenter, noted Washington pundit, was Lady Bird’s press secretary during the Johnson administration and one day, during a routine visit with the First Lady, reported hearing swearing and shouting coming from the Rose Room. She was convinced it was Jackson’s ghost in an uproar.
Some have noticed a pattern to Old Hickory’s White House visitations. They note that ole’ Andy seems to appear during wartime or times of national crisis: the Civil War, World War II, the Vietnam War era, etc.
It could be that the fiery Andrew Jackson only reappears when the Nation needs firm leadership or is at threat and his ghost is there, they theorize, to provide motivation and moral support. Whatever the cause, the tough old ghost still graces the rooms and halls of the President’s residence.
If there is one spot in Nashville that visitors are sure to see when they come to Music City, it that section of downtown Broadway they call Honky-Tonk Heaven, Hillbilly Highway or just simply “The District.”
Consisting of the first five blocks of Lower Broad, plus the side streets branching off on either side, for decades it has been a mecca for lovers of Country music, or those just seeking a good time.
While it has been a favorite haunt of musicians trying to make a name for themselves for as long as anyone can remember, the haunting goes far beyond perspiring minstrels trying to make it in the business.
There abide in the old buildings down there the spirits of old-time country stars, workmen and working girls from another era and even a Civil War ghost or three.
Take Tootsie’s Orchid Lounge, for example. It’s smoke-stained walls and beer-stained floors have seen the greats of Country Music pass through its swangin’ doors–not to mention a few Rock stars as well.
Behind it is an ally where the same ghosts are alleged to pass into the old stage door entrance of the Ryman Auditorium–originally the home of the Grand Ole Opry.
Across the street are two old record shops that house hidden gold–golden oldies that is. Ernest Tubb used to house the Saturday Night Jamboree. The Jamboree is alive and well but now broadcasts from Music Valley, just across from Opryland Hotel. Downtown, the original store also hosts a jamboree of sorts: the old time musicians still return there on Saturday and haunt the place, even though they’re long dead.
Nearby by Ernest Tubbs was Lawrence Records until recently. Now transformed into Nudie’s Bar, it too has its resident revenants. Nudie does not refer to the undress of the barmaids there–they more or less keep their clothes on–but to the clothing designer Nudie, known for the gaudy costumes he designs for Country stars. They can change the name and change what they sell here, but the spirits remain despite the changes.
Truth be told, just about every old building in downtown Nashville has a resident spook or three.
I cover the District’s ghosts in far more detail in Ghosts and Haunts of Tennessee than here, but as I wasn’t able to include photos in that book for technical reasons, so I thought I’d post a few here as well as on Pinterest. If you prefer to find out about the ghosts of Lower Broad for yourself, there is no better time of year than now to do it!
In Strange Tales I mostly focused on Elvis sightings in West Tennessee, particularly at Graceland. Of course, many who have seen him at his favorite haunt have refused to believe him dead—hence the widespread Elvis Lives! urban folklore. In my chapter on the King in Ghosts and Haunts of Tennessee, I focused on his haunting other cities as well, including Las Vegas (VIVA!) and Nashville. Although Elvis is not generally associated with Nashville, in truth Music City had quite a bit to do with his rise to fame. This was where Heartbreak Hotel was recorded and quite a number of his other hits. When he came to town, strangely, he did not lodge in some glitzy glamorous hotel (the city had them even then); no, he would stay in a simple cinder-block guest house out behind his manager’s house, Colonel Parker. The Colonel’s house still stands, although it has been turned into law offices and its front yard into a parking lot; likewise the little cinder-block special stands, although much improved and the metal bars taken off the windows. They side on the right side of Gallatin Road in Madison, 1215 Gallatin Road South. Go to https://www.youtube.com/watch?v=IPKS6D_OlDE for a rare look inside Colonel Tom Parker’s old digs.
The studio in Nashville where Elvis first recorded some of his greatest hits, however, is sadly not standing anymore. It was on a side street off Demumbreun Street, in the Music Row District of Music City. This first RCA Studio was admittedly not fancy looking: in those days, the record companies wanted things cheap, so no fancy glitz and glamour. While it is now the site of a used car lot, for many years it had quite the reputation for being haunted. Jim Owens TV used it as studios for a number of years and just about every person who worked there had some kind of uncanny encounter. No one who worked there doubted the King was making his presence known.
One spot where Elvis performed is also thought to be haunted by him: none other than the Ryman Auditorium, original home of the Grand Ole’ Opry. You may not have ever heard he played there because he only did it once, and the memory of it was not a pleasant one for him. Somehow old Swivel Hips got booked onto the Saturday Night Show of the Opry back in the early ‘50’s. Well, you have to understand that in those days the Opry was pretty straight-laced: no drums, no saxophones, etc. So you can imagine when the singer whose hips were blacked out when he performed on the Ed Sullivan TV variety show got up on stage. He was literally booed off the stage by the audience of Country purists. As he was walking offstage, a know-it-all Nashville music producer gave him some sage advice. He said, “Son, get out of the business, you’re never gonna make in music.” Needless to say, Elvis didn’t listen to him and the rest is history; but Elvis never performed live in Nashville again.
A few years back his daughter, Lisa Marie Presley was doing a show at the old Ryman. She was headed back to her dressing room and about to go in and take off her makeup and such, but the door would not budge. Even her burly bodyguard could not open it. Finally, she and her guard heard the distinct sound of her father’s laugh ring out and suddenly the door opened with ease. Big Daddy had made his presence known to Lisa Marie!
Or course, Las Vegas had a longtime relationship with the King of Rock and Roll also, especially during his jumpsuit years. Elvis’s Penthouse Suite in Vegas (now broken up into three smaller luxury suites is also reputed to be haunted by the King: Here’s another rare look: https://www.youtube.com/watch?v=6ZSH59uWKUM . His immense penthouse atop the Vegas Hilton is known to have a particularly strong aura of Elvi about it—but that’s another story.
I have been informed by a respected Literary Agent that editors with major book publishers don’t wish to see anything from authors that is written from more than a single point of view or attempts to render a narrative in anything other than the third person “literary” past tense.
I am not sure how “literary” the simple past tense actually is, but I presume this current editorial fad is in deference to what the East Coast literati condescend to regard as the limited reading abilities of the average modern reader. One wonders how the works of such writers as Mark Twain, Ambrose Bierce, Herman Melville or Joseph Conrad would have fared at the hands of such editors—assuming these miserable hack writers would even have gotten an agent to handle their writing.
As a journeyman scrivener I must bow to their superior wisdom or remain unpublished. But in the expectation that your reading tastes are somewhat better than what modern editing trends assume, I present a tale of Southern ghosts by a master of sardonic horror—Ambrose Bierce.
Bierce is best known for his biting satire and his macabre Civil War Tales filled with deadly ironies. Yet Bierce also wrote quite a bit about the South, even though he is not considered a Southern author by any means. He survived four years of the “blood-stained period” tramping all about the South, including Nashville, and continuing on well after the war the shadow of death lingered on in his mind, spilling out onto the pages of his short stories. This is not a tale of the Civil War, but it does take place in Nashville, a city he knew quite well during the war. I think we may safely class it as a choice piece of Southern Gothic, even if it was written by a Yankee.
In honor of Bierce, Dixie and Halloween, therefore, I reprint this, one of Bierce’s best ghost stories. The story, The Moonlit Road, is a classic tale of Southern Gothic, so much so that it has even spawned a modern Atlanta-based website dedicated to Southern horror that was inspired by it. If you are a Bierce devotee, forgive me, for doubtless you have read it before; but it is worth re-reading nonetheless. I fear it would be rejected out of hand by most modern trade editors, for it relates the story from multiple points of view. But if Bierce’s narrative technique was good enough for filmmaker Akira Kurosawa, I trust you may find it equally edifying as well.
THE MOONLIT ROAD
STATEMENT OF JOEL HETMAN, JR.
I am the most unfortunate of men. Rich, respected, fairly well educated and of sound health–with many other advantages usually valued by those having them and coveted by those who have them not—I sometimes think that I should be less unhappy if they had been denied me, for then the contrast between my outer and my inner life would not be continually demanding a painful attention. In the stress of privation and the need of effort I might sometimes forget the somber secret ever baffling the conjecture that it compels.
I am the only child of Joel and Julia Hetman. The one was a well-to-do country gentleman, the other a beautiful and accomplished woman to whom he was passionately attached with what I now know to have been a jealous and exacting devotion. The family home was a few miles from Nashville, Tennessee, a large, irregularly built dwelling of no
particular order of architecture, a little way off the road, in a
park of trees and shrubbery.
At the time of which I write I was nineteen years old, a student at Yale. One day I received a telegram from my father of such urgency that in compliance with its unexplained demand I left at once for home. At the railway station in Nashville a distant relative awaited me to apprise me of the reason for my recall: my mother had been
barbarously murdered–why and by whom none could conjecture, but the circumstances were these:
My father had gone to Nashville, intending to return the next afternoon. Something prevented his accomplishing the business in hand, so he returned on the same night, arriving just before the dawn. In his testimony before the coroner he explained that having no latchkey and not caring to disturb the sleeping servants, he had, with no clearly defined intention, gone round to the rear of the house. As he turned an angle of the building, he heard a sound as of a door gently closed, and saw in the darkness, indistinctly, the figure of a man, which instantly disappeared among the trees of the lawn. A hasty pursuit and brief search of the grounds in the belief that the trespasser was some one secretly visiting a servant proving fruitless, he entered at the unlocked door and mounted the stairs to my mother’s chamber. Its door was open, and stepping into black darkness he fell headlong over some heavy object on the floor. I may spare myself the details; it was my poor mother, dead of strangulation by human hands!
Nothing had been taken from the house, the servants had heard no sound, and excepting those terrible finger-marks upon the dead woman’s throat–dear God! that I might forget them!–no trace of the assassin was ever found.
I gave up my studies and remained with my father, who, naturally, was greatly changed. Always of a sedate, taciturn disposition, he now fell into so deep a dejection that nothing could hold his attention, yet anything–a footfall, the sudden closing of a door–aroused in him a fitful interest; one might have called it an apprehension. At any small surprise of the senses he would start visibly and sometimes turn pale, then relapse into a melancholy apathy deeper than before. I suppose he was what is called a “nervous wreck.” As to me, I was younger then than now–there is much in that. Youth is Gilead, in
which is balm for every wound. Ah, that I might again dwell in that enchanted land! Unacquainted with grief, I knew not how to appraise my bereavement; I could not rightly estimate the strength of the stroke.
One night, a few months after the dreadful event, my father and I walked home from the city. The full moon was about three hours above the eastern horizon; the entire countryside had the solemn stillness of a summer night; our footfalls and the ceaseless song of the katydids were the only sound aloof. Black shadows of bordering trees lay athwart the road, which, in the short reaches between, gleamed a ghostly white. As we approached the gate to our dwelling, whose front was in shadow, and in which no light shone, my father suddenly stopped and clutched my arm, saying, hardly above his breath:
“God! God! what is that?”
“I hear nothing,” I replied.
“But see—see!” he said, pointing along the road, directly
I said: “Nothing is there. Come, father, let us go in—you are
He had released my arm and was standing rigid and motionless in the center of the illuminated roadway, staring like one bereft of sense. His face in the moonlight showed a pallor and fixity inexpressibly distressing. I pulled gently at his sleeve, but he had forgotten my existence. Presently he began to retire backward, step by step, never for an instant removing his eyes from what he saw, or thought he saw. I turned half round to follow, but stood irresolute. I do not recall any feeling of fear, unless a sudden chill was its physical manifestation. It seemed as if an icy wind had touched my face and enfolded my body from head to foot; I could feel the stir of it in my hair.
At that moment my attention was drawn to a light that suddenly streamed from an upper window of the house: one of the servants, awakened by what mysterious premonition of evil who can say, and in obedience to an impulse that she was never able to name, had lit a lamp. When I turned to look for my father he was gone, and in all the years that have passed no whisper of his fate has come across the borderland of conjecture from the realm of the unknown.
STATEMENT OF CASPAR GRATTAN
To-day I am said to live; to-morrow, here in this room, will lie a senseless shape of clay that all too long was I. If anyone lift the cloth from the face of that unpleasant thing it will be in gratification of a mere morbid curiosity. Some, doubtless, will go further and inquire, “Who was he?” In this writing I supply the only answer that I am able to make–Caspar Grattan. Surely, that should be enough. The name has served my small need for more than twenty years of a life of unknown length. True, I gave it to myself, but lacking another I had the right. In this world one must have a name; it prevents confusion, even when it does not establish identity. Some, though, are known by numbers, which also seem inadequate distinctions.
One day, for illustration, I was passing along a street of a city, far from here, when I met two men in uniform, one of whom, half pausing and looking curiously into my face, said to his companion, “That man looks like 767.” Something in the number seemed familiar and horrible. Moved by an uncontrollable impulse, I sprang into a side street and ran until I fell exhausted in a country lane.
I have never forgotten that number, and always it comes to memory attended by gibbering obscenity, peals of joyless laughter, the clang of iron doors. So I say a name, even if self-bestowed, is better than a number. In the register of the potter’s field I shall soon have both. What wealth!
Of him who shall find this paper I must beg a little consideration. It is not the history of my life; the knowledge to write that is denied me. This is only a record of broken and apparently unrelated memories, some of them as distinct and sequent as brilliant beads
upon a thread, others remote and strange, having the character of crimson dreams with interspaces blank and black–witch-fires glowing still and red in a great desolation.
Standing upon the shore of eternity, I turn for a last look landward over the course by which I came. There are twenty years of footprints fairly distinct, the impressions of bleeding feet. They lead through poverty and pain, devious and unsure, as of one
staggering beneath a burden—
“Remote, unfriended, melancholy, slow.”
Ah, the poet’s prophecy of Me–how admirable, how dreadfully
Backward beyond the beginning of this via dolorosa–this epic of suffering with episodes of sin–I see nothing clearly; it comes out of a cloud. I know that it spans only twenty years, yet I am an old man.
One does not remember one’s birth–one has to be told. But with me it was different; life came to me full-handed and dowered me with all my faculties and powers. Of a previous existence I know no more than others, for all have stammering intimations that may be memories and may be dreams. I know only that my first consciousness was of
maturity in body and mind–a consciousness accepted without surprise or conjecture. I merely found myself walking in a forest, half-clad, footsore, unutterably weary and hungry. Seeing a farmhouse, I approached and asked for food, which was given me by one who inquired my name. I did not know, yet knew that all had names. Greatly embarrassed, I retreated, and night coming on, lay down in the forest
The next day I entered a large town which I shall not name. Nor shall I recount further incidents of the life that is now to end—a life of wandering, always and everywhere haunted by an overmastering sense of crime in punishment of wrong and of terror in punishment of crime. Let me see if I can reduce it to narrative.
I seem once to have lived near a great city, a prosperous planter, married to a woman whom I loved and distrusted. We had, it sometimes seems, one child, a youth of brilliant parts and promise. He is at all times a vague figure, never clearly drawn, frequently altogether out of the picture.
One luckless evening it occurred to me to test my wife’s fidelity in a vulgar, commonplace way familiar to everyone who has acquaintance with the literature of fact and fiction. I went to the city, telling my wife that I should be absent until the following afternoon. But I returned before daybreak and went to the rear of the house, purposing
to enter by a door with which I had secretly so tampered that it would seem to lock, yet not actually fasten. As I approached it, I heard it gently open and close, and saw a man steal away into the darkness. With murder in my heart, I sprang after him, but he had
vanished without even the bad luck of identification. Sometimes now I cannot even persuade myself that it was a human being.
Crazed with jealousy and rage, blind and bestial with all the elemental passions of insulted manhood, I entered the house and sprang up the stairs to the door of my wife’s chamber. It was closed, but having tampered with its lock also, I easily entered and
despite the black darkness soon stood by the side of her bed. My groping hands told me that although disarranged it was unoccupied.
“She is below,” I thought, “and terrified by my entrance has evaded me in the darkness of the hall.”
With the purpose of seeking her I turned to leave the room, but took a wrong direction–the right one! My foot struck her, cowering in a corner of the room. Instantly my hands were at her throat, stifling a shriek, my knees were upon her struggling body; and there in the darkness, without a word of accusation or reproach, I strangled her
till she died!
There ends the dream. I have related it in the past tense, but the present would be the fitter form, for again and again the somber tragedy reenacts itself in my consciousness–over and over I lay the plan, I suffer the confirmation, I redress the wrong. Then all is blank; and afterward the rains beat against the grimy window-panes, or the snows fall upon my scant attire, the wheels rattle in the squalid streets where my life lies in poverty and mean employment. If there is ever sunshine I do not recall it; if there are birds they
do not sing.
There is another dream, another vision of the night. I stand among the shadows in a moonlit road. I am aware of another presence, but whose I cannot rightly determine. In the shadow of a great dwelling I catch the gleam of white garments; then the figure of a woman confronts me in the road–my murdered wife! There is death in the face; there are marks upon the throat. The eyes are fixed on mine with an infinite gravity which is not reproach, nor hate, nor menace, nor anything less terrible than recognition. Before this awful apparition I retreat in terror–a terror that is upon me as I write. I can no longer rightly shape the words. See! They—
Now I am calm, but truly there is no more to tell: the incident ends where it began–in darkness and in doubt.
Yes, I am again in control of myself: “the captain of my soul.” But that is not respite; it is another stage and phase of expiation. My penance, constant in degree, is mutable in kind: one of its variants is tranquillity. After all, it is only a life-sentence. “To Hell for life”–that is a foolish penalty: the culprit chooses the duration of his punishment. To-day my term expires.
To each and all, the peace that was not mine.
STATEMENT OF THE LATE JULIA HETMAN, THROUGH THE MEDIUM BAYROLLES
I had retired early and fallen almost immediately into a peaceful sleep, from which I awoke with that indefinable sense of peril which is, I think, a common experience in that other, earlier life. Of its unmeaning character, too, I was entirely persuaded, yet that did not banish it. My husband, Joel Hetman, was away from home; the servants slept in another part of the house. But these were familiar conditions; they had never before distressed me. Nevertheless, the strange terror grew so insupportable that conquering my reluctance to move I sat up and lit the lamp at my bedside. Contrary to my expectation this gave me no relief; the light seemed rather an added danger, for I reflected that it would shine out under the door, disclosing my presence to whatever evil thing might lurk outside. You that are still in the flesh, subject to horrors of the imagination, think what a monstrous fear that must be which seeks in darkness security from malevolent existences of the night. That is to spring to close quarters with an unseen enemy–the strategy of despair!
Extinguishing the lamp I pulled the bed-clothing about my head and lay trembling and silent, unable to shriek, forgetful to pray. In this pitiable state I must have lain for what you call hours–with us there are no hours, there is no time.
At last it came–a soft, irregular sound of footfalls on the stairs! They were slow, hesitant, uncertain, as of something that did not see its way; to my disordered reason all the more terrifying for that, as the approach of some blind and mindless malevolence to which is no appeal. I even thought that I must have left the hall lamp burning and the groping of this creature proved it a monster of the night. This was foolish and inconsistent with my previous dread of the light, but what would you have? Fear has no brains; it is an idiot. The dismal witness that it bears and the cowardly counsel that it whispers are unrelated. We know this well, we who have passed into the Realm of Terror, who skulk in eternal dusk among the scenes of our former lives, invisible even to ourselves and one another, yet hiding forlorn in lonely places; yearning for speech with our loved ones, yet dumb, and as fearful of them as they of us. Sometimes the disability is removed, the law suspended: by the deathless power of love or hate we break the spell—
we are seen by those whom we would warn, console, or punish. What form we seem to them to bear we know not; we know only that we terrify even those whom we most wish to comfort, and from whom we most crave tenderness and sympathy.
Forgive, I pray you, this inconsequent digression by what was once a woman. You who consult us in this imperfect way–you do not understand. You ask foolish questions about things unknown and things forbidden. Much that we know and could impart in our speech is meaningless in yours. We must communicate with you through a stammering intelligence in that small fraction of our language that you yourselves can speak. You think that we are of another world. No, we have knowledge of no world but yours, though for us it holds no sunlight, no warmth, no music, no laughter, no song of birds, nor any companionship. O God! what a thing it is to be a ghost, cowering and shivering in an altered world, a prey to apprehension and despair!
No, I did not die of fright: the Thing turned and went away. I heard it go down the stairs, hurriedly, I thought, as if itself in sudden fear. Then I rose to call for help. Hardly had my shaking hand found the doorknob when–merciful heaven!–I heard it returning.
Its footfalls as it remounted the stairs were rapid, heavy and loud; they shook the house. I fled to an angle of the wall and crouched upon the floor. I tried to pray. I tried to call the name of my dear husband. Then I heard the door thrown open. There was an interval of unconsciousness, and when I revived I felt a strangling clutch upon my throat–felt my arms feebly beating against something that bore me backward–felt my tongue thrusting itself from between my teeth! And then I passed into this life.
No, I have no knowledge of what it was. The sum of what we knew at death is the measure of what we know afterward of all that went before. Of this existence we know many things, but no new light falls upon any page of that; in memory is written all of it that we can read. Here are no heights of truth overlooking the confused landscape of that dubitable domain. We still dwell in the Valley of the Shadow, lurk in its desolate places, peering from brambles and thickets at its mad, malign inhabitants. How should we have new knowledge of that fading past?
What I am about to relate happened on a night. We know when it is night, for then you retire to your houses and we can venture from our places of concealment to move unafraid about our old homes, to look in at the windows, even to enter and gaze upon your faces as you sleep. I had lingered long near the dwelling where I had been so cruelly changed to what I am, as we do while any that we love or hate remain. Vainly I had sought some method of manifestation, some way to make my continued existence and my great love and poignant pity understood by my husband and son. Always if they slept they would wake, or if in my desperation I dared approach them when they were awake, would turn toward me the terrible eyes of the living, frightening me by the glances that I sought from the purpose that I held.
On this night I had searched for them without success, fearing to find them; they were nowhere in the house, nor about the moonlit lawn. For, although the sun is lost to us forever, the moon, full-orbed or slender, remains to us. Sometimes it shines by night, sometimes by day, but always it rises and sets, as in that other life.
I left the lawn and moved in the white light and silence along the road, aimless and sorrowing. Suddenly I heard the voice of my poor husband in exclamations of astonishment, with that of my son in reassurance and dissuasion; and there by the shadow of a group of trees they stood–near, so near! Their faces were toward me, the eyes of the elder man fixed upon mine. He saw me–at last, at last, he saw me! In the consciousness of that, my terror fled as a cruel dream. The death-spell was broken: Love had conquered Law! Mad with exultation I shouted–I MUST have shouted, “He sees, he sees: he will understand!” Then, controlling myself, I moved forward, smiling and consciously beautiful, to offer myself to his arms, to comfort him with endearments, and, with my son’s hand in mine, to speak words that should restore the broken bonds between the living and the dead.
Alas! alas! his face went white with fear, his eyes were as those of a hunted animal. He backed away from me, as I advanced, and at last turned and fled into the wood–whither, it is not given to me to know.
To my poor boy, left doubly desolate, I have never been able to impart a sense of my presence. Soon he, too, must pass to this Life Invisible and be lost to me forever.
Although I wrote about the ghosts of “The Seven Hills” in Ghosts and Haunts of Tennessee, due to technical issues I wasn’t able to illustrate it the way I would have wished, which is one of the reasons why this blog exists–to update and supplement the true ghost tales I have already related to you.
For those not native to Nashville, Tennessee, “The Seven Hills” does not refer to specific hills in the city (there are far more than seven) but to a cluster of suburban neighborhoods southwest of downtown which share similar names: Green Hills, Forest Hills, Hillsboro Village, etc. Although to the casual visitor they all seem pleasant affluent areas (they are) they also hide darker secrets as well: all possess their fair share of ghosts.
Most popular of the neighborhoods by far is Green Hills, and in Ghosts and Haunts of Tennessee I detail several hauntings there. One of the most interesting is at that mecca of Nashville fashionistas, Green Hills Mall. The mall has had repeated reports of hauntings. Other reports of hauntings in Green Hills come from the homes in the area as well.
Apparently some time back a shoe clerk at The Mall reported seeing an apparition wearing a tricorner hat on a number of occasions. It is thought that this spirit may have been a victim of an Indian attack during the frontier era, when raids and scalpings were commonplace in Nashville.
However, in these neighborhoods an even more common cause of the many reports of haunted homes is the fact that this part of Nashville is where some of the bloodiest fighting of the Battle of Nashville took place. In December of 1864, Green Hills and adjacent Forest Hills saw horrific bloodshed before the Confederate Army was finally defeated. The dead and dying lay everywhere after the battle.
While these days on cable television, ghost hunters claim able to not only identify who is haunting what house, but also what they had for breakfast the day they died, the reality is that most hauntings cannot really be pinned to any known person. Residents or owners will report uncanny happenings, mysterious sounds or, more rarely, actually seeing a visual presence. In truth, however, identifying the ghost as a particular individual is mostly speculation. The fact that right after the battle, hundreds, perhaps thousands, of dead Confederate were hastily thrown into mass graves in The Hills and never properly buried, is the most probable source of most of these continuing poltergeist activities. As in the movie “Poltergeist,” these subdivisions were often built over the mass graves of the dead without the graves being relocated.
One exception to the above rule of thumb, however, is Belmont Mansion. This grand old dame of antebellum architecture stands on a tall hill overlooking Hillsboro Village, a popular destination for both the college crowd and music industry executives. Today Belmont is the campus of a prestigious Christian school, Belmont University. During the Battle of Nashville it was headquarters for the Union Army’s Fourth Corps and the battle lines lay only a few blocks away. While it is thought several ghosts haunt Belmont Mansion, the one most commonly associated with it is Adelicia Acklen, a Southern belle possessed of beauty, brains and lots and lots of money. Despite all that, she suffered the loss of several of her children in the house and it is believed that that is why she still resides there.
Almost since that day in 1977 when the King of Rock ‘n Roll passed on to that big concert in the sky, there have been sightings and reports of encounters with Elvis Presley. Many folks who have witnessed the king since his death claim he is alive and well. But there is another explanation for their uncanny encounters: they have met the ghost of Elvis.
The most common place where Elvis has been seen is, of course, Graceland. Admirers, hanging out in front of the house at midnight claim to have seen a black limo pull through the gates and spy the King’s unmistakeable profile as it passes by. Others have snapped photos of the upstairs windows, where an image seems to be staring out. Nor are the apparitions at Graceland limited to Elvis; his mother, who was very close to him, has also been seen; one somewhat eccentric actress, Paz de la Huerta, has even claimed the ghost of Elvis gave her an orgasm when she visited his recording studio in Graceland. Whole lotta shakin’ goin on.
Nor is Graceland the only spot where the restless shade of Mr. Presley been reported. Some of his favorite haunts in Vegas and Hollywood have been claimed to receive visits from Elvis from time to time. while A motel across the street from Graceland has had some weird encounters as well.
Moreover, Elvis has also been reported in Nashville on more than one occasion. There was the broad daylight encounter with a man all bedecked like the glitter Elvis, in a rhinestone studded white jumpsuit. He was encountered on Lower Broad, where tourists flock to visit the honky-tonks and gifts shops. While this encounter could just be a very good Elvis impersonator, the Lower Broad area of downtown Nashville is well known to be psychically active, and this report may very well be the real deal.
More credible are the reports I have gathered from the music pros of Elvis’s haunting of the old RCA studio—now torn down—where he recorded his first big hit—Heartbreak Hotel. Penned by the legendary Mae Axton (Hoyt Axton’s momma) its haunting lyrics were based on a suicide note, which inspired her to write the complete song in about a half hour! The studio has had many weird occurrences and those in the know swear it was Elvis’s shade lingering in the place where his first big hit was made.
Now old Studio A is a used car lot, so while Elvis may have not left the building, the building certainly did leave him.
There is no definitive way to prove the Elvis haunts Memphis, or Nashville; but those who have felt his spectral presence know what they experienced—and they are sure it was Elvis.
In honor of that spookiest day of the year—October 31—I am penning thirteen blogs daily, now through fright night.
Why thirteen? Well, we have the twelve days of Christmas—or at least we used to. Yuletide should run from December 25 through January 6 by rights, although lately it seems folks want to get the holiday season over with early on December 26. I am among that obstinate minority who prefer to enjoy Yuletide for as long as possible–and that means quaffing flagons of Yuletide Cheer from big Christmas to Little Christmas. Moreover, in Wales, not only are black cats considered lucky, so is the number 13. Ultimately, for no particular reason other than it sounds good, I chose thirteen for Halloween.
Black Cats and Thirteen anything–what could be more Halloweenish? Of course, the Welsh being Celts, they have a strong contrary streak and so whatever superstition their English neighbors adhere to, one can almost guarantee the Welsh will tend to believe just the opposite. My black cat, Enoch, was certainly lucky: he got to sleep all day, ate when he wanted, and pretty much did as he pleased (which was not much). And if cats normally have nine lives, Enoch was blessed with at least double that amount.
Speaking of superstitions, one Southern superstition that Yankees north of the Mason-Dixon Line may not have heard of is enshrined in the expression “jumping the broom.” Among folks in Dixie, to “jump the broom” is another way to say getting married. It comes from the belief that if newlyweds place a broom across the threshold to their new home, witches can’t follow them in and put a hex on the marriage. Although in Appalachia they don’t call it hex, they call it “spelt.”
In the old days, couples literally did put a broom across the entrance to their cabin on wedding day and then physically jumped across it. Brides and grooms who jumped the broom were believed to enjoy a more harmonious and fruitful marriage, and to judge by the number of children they had in the old days, this seems to have been true.
The Mid-South abounds in uncanny and unexplained phenomena, from professors who suddenly burst into flame, to sightings of strange craft over the Tennessee Valley in the days when no such craft existed, to the numerous “Spook Lights” found in almost every state of Dixie. This is in addition to the many ante-bellum manse’s that each is a Gothic horror show in itself. Of course, what would Appalachia be without it’s “Wise Women” and whether you regard them as a bane or a boon, you best not get on their bad side in any case.
Halloween marks the beginning of the season when all life dies away–to the eye–not to be truly revived until its sister holiday, April 30. The ancient Celts called the two festivals Semaine and Beltaine and the period in between was a time when one gathered round the hearth and told tales to enchant young and old. Beltaine is also known as the Witches’ Sabbath when, like Halloween, all manor of spirits, uncanny creatures and other fey folk are abroad in the dark. On Halloween we have the additional bane of evil beings such as politicians roaming the land seeking votes.
Fear not, however, we shall limit our discussion only to the supernatural and similar things and while we won’t limit these thirteen entries just to the South, there are more than man can ken in the region to venture farther afield in search of the uncanny. So curl up with your favorite flagon–or favorite dragon–stoke the hearth (even if it’s just a video loop on Roku) and enjoy stories to curl your toes and give you goosebumps!